The Importance of Symbolism in The Glass Menagerie Essay -- Glass Mena

The Importance of Symbolism in The Glass Menagerieâ â  Tom Wingfield is the storyteller and a significant character in Tennessee William’s ageless play, The Glass Menagerie. Through the eyes of Tom, the watcher gets a look into the life of his family in the pre-war sorrow period; his mom, a Southern beauty urgently sticking to the past; his sister, a lady too delicate to even consider functioning in the public eye; and himself, a battling, youthful writer working at a stockroom to take care of the tabs. Williams has figured out how to make a pivotal play utilizing a blend of various components, including imagery. Three critical instances of imagery are the emergency exit, a feeling of expectation and a getaway both to the outside world and from it; the glass zoo itself, an image for Laura’s delicacy and uniqueness; and rainbows, images of hidden expectations and goals. Using these images, a more noteworthy comprehension of the humanistic subject that unfulfilled expectations and wants are an undesirable, however signifi cant part of this present reality is accomplished, and The Glass Menagerie is created into an important great show.  â â â â Symbols are a significant piece of this play Tom, who is a writer, concedes he has a soft spot for. One of the first to be introduced in the story is the emergency exit that ... ...Masterplots, ed. Blunt M. Magill. Amended Second Ed. Vol. 5. Pasadena: Salem Press, 1996. Bigsby, C. W. E. â€Å"Entering the Glass Menagerie.† The Cambridge Companion to Tennessee Williams, ed. Matthew C. Roudane. Cambridge: Cambridge University Press, 1997. Scheye, Thomas E. â€Å"The Glass Menagerie: ‘It’s not catastrophe, Freckles.’.† Tennessee Williams: A Tribute, ed. Jac Tharpe. Jackson: University Press of Mississippi, 1977. Williams, Tennessee. Discussions with Tennessee Williams, ed. Albert Devlin. Jackson: University Press of Mississippi, 1986. Williams, Tennessee. The Glass Menagerie. New York: New Directions Publishing, 1945.